Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.  Related Paintings of Correggio :. | Assumption of the Virgin,details with angels bearing musical instruments | Leda1 | Noli me Tangere | Pendentives depicting Saint Thomas,Saint Bernard,and Saint John | Virgin and Child with an Angel |
Related Artists:
ALLORI Cristofano
Italian Baroque Era Painter, 1577-1621 Allori was born at Florence and received his first lessons in painting from his father, Alessandro Allori, but becoming dissatisfied with the hard anatomical drawing and cold coloring of the latter, he entered the studio of Gregorio Pagani (1558-1605) who was one of the leaders of the late Florentine school, which sought to unite the rich coloring of the Venetians with the Florentine attention to drawing. Allori also appears to have worked under Cigoli. His pictures are distinguished by their close adherence to nature and the delicacy and technical perfection of their execution. His technical skill is shown by the fact that several copies he made of Correggio's works were thought to be duplicates by Correggio himself. His extreme fastidiousness limited the number of his works. Several specimens are to be seen at Florence and elsewhere. The finest of his works is his Judith with the Head of Holofernes. It exists in two copies in the Pitti Palace in Florence and in the Queen's Gallery in London. The model for the Judith was his mistress, the beautiful Mazzafirra, who is also represented in his Magdalene; and the head of Holofernes is generally supposed to represent himself.
Petrov-Vodkin, Kozma
Russian Painter, 1878-1939
Patrick Henry Bruce
American Cubist Painter, 1881-1936 was an American cubist painter. A descendant of Patrick Henry, Bruce was born in Campbell County, Virginia, the second of four children. His family had once owned a huge plantation, Berry Hill, worked by over 3,000 slaves. Berry Hill is now a resort & conference center outside South Boston, Virginia and is now a National Historic Landmark. Berry Hill Estate originally was part of a 105,000-acre (420 km2) tract granted by the English Crown in 1728 to William Byrd II. The Civil War left the Bruce's wealth greatly diminished. Bruce began taking evening classes at the Art Club of Richmond in 1898, while working in a real estate office during the daytime. His earliest known extant painting dates from 1900. In 1902 he moved to New York, where he studied with William Merritt Chase, Robert Henri, and Kenneth Hayes Miller. By February 1904 he was in Paris, where he would live until 1933. Although his evolution toward a modernist style was gradual, his works of 1908 reveal the influence of Renoir and C??zanne, and in that year he was among the first to enroll in Matisse's school. Bruce exhibited regularly in the Salon d'Automne, and met many of the leading artists of the early twentieth century avant garde.